New Patsy Cline Music Is Released 62 Years After Her Death: ‘A Dream Come True’

As improbable as the news may seem, it’s true: More than six decades after her much-too-soon death, new music by country legend Patsy Cline is being released!

On Saturday, a limited-edition two-LP set of brand-new recordings will go on sale nationwide in celebration of Record Store Day. The full collection, entitled Imagine That: The Lost Recordings (1954-1963), is also set to be released as a two-CD set next Friday, which is the same day that the digital download will be available.

The 48 tracks, all retrieved from live performances, feature 15 never-released songs, as well as new renditions of such iconic Cline classics as “Crazy,” “I Fall to Pieces” and “Walkin’ After Midnight.”

This is no historical footnote, assures Cline discographer George Hewitt. “It’s a dream come true,” says the lifelong collector, who co-produced the project for the Elemental Music/Deep Digs label.

Cline’s fans worldwide will be rejoicing over the news, but no one is happier than Julie Fudge, Cline’s daughter, who was just 4 years old when she lost her mother in a private plane crash in 1963.

“It’s just so real,” Fudge, 66, says of the new music. “A lot of people — when you lose someone — you don’t have all these different avenues to remember them. The fact that it’s been more than 60 years and to still have her in our lives every day is quite an accomplishment. It’s been such a blessing.”

The older of Cline’s two children, Fudge has been the family’s keeper of the Cline flame for many years. But it’s really been the singer’s enormous fan base who’s done the heaviest lifting to carry forward her musical legacy. Key among them is Hewitt, who oversees the authoritative website dedicated to the Cline catalogue.

He also provided the spark for the new record project after a Washington, D.C.-area man reached out to him a couple of years ago seeking more information about a Cline acetate disc he’d found in his parents’ vinyl collection. Each side of the 78-rpm record featured song titles that Hewitt had never heard on any other Cline recording, and as he writes in the album notes, “I nearly jumped out of my skin.”

Patsy Cline, “Crazy”

The discovery quickly inspired him to enlist sound engineer Dylan Utz and producer Zev Feldman in the hunt for more treasure, and their meticulous search dug up far more riches than they had ever anticipated. The three men, joined by Fudge, told their story on Wednesday during a panel discussion held at Grimey’s record store in Nashville.

The sources for the album, they explained, were varied: Several derived from the collections of hobbyists, who snagged amateur recordings off original broadcasts. Others were found in the deep recesses of archives and storage vaults. The Grand Ole Opry, for instance, was able to provide four new performances from its collection. All told, the songs span Cline’s entire career and sonically track her rise to fame.

While Utz was able to work his wizardry to put a shine on the primitive technology, the quality of the recordings does vary depending on their original condition. Still, the constant on each is Cline’s singularly timeless voice, delivering music with the spontaneity of live performance.

“It really demonstrates how Patsy adapted as an artist and refined her artistry over time and almost reinvented herself in the short period of time she had on this planet,” Hewitt said during the panel discussion.

Among the album’s many highlights are the contents of that original acetate 78, two demos that are now believed to be Cline’s earliest recordings, likely made in September 1954.

Though Cline wanted to release Christmas music, she never did, and the new album remedies that. Among its tracks are two holiday favorites, “Let It Snow! Let It Snow! Let It Snow” and “Winter Wonderland,” both duets. Cline never released a duet or other collaboration, and the new album features nine, including one with Cowboy Copas, who perished in the plane crash with Cline (along with fellow Opry star Hawkshaw Hawkins and Cline’s manager, Randy Hughes).

Cline was only 30 years old when the single-engine plane went down in bad weather in a forest outside of Camden, Tennessee, on March 5, 1963. The four, all killed instantly, were on their way home to Nashville from a benefit concert in Kansas City, Kansas; Hughes was at the controls.

Patsy Cline, “I Fall to Pieces”

At the time, Cline was at her career peak — and still on the rise — as one of the great interpreters of the Nashville Sound, a smooth country-pop hybrid that generated genre-crossing mass appeal. Her untimely death only cemented her mystique — a fact of celebrity culture that Fudge understands well.

“Of course, a lot of people remember the tragedy,” she says, “and that’s what makes you an icon sometimes.”

It’s one reason that Fudge is so welcoming to the new music: “It’s much better to think about the life that was there.”

Now she’s grateful to be able to share the joy of this new music with her three children and 11 grandchildren. “It’s one thing to say your grandmother sang,” Fudge says, “but this can actually bring her to life for them.”

Her mother, she adds, could have never imagined people would still be craving her music well into the next century. Says Fudge: “She’d be so amazed and delighted.”